Biracially Raised Children Essay -- Research Papers Ethnicity Race Pap

Biracially Raised Children As per 2000 U.S. enumeration, 2.4 % of the US populace which report themselves as individuals who have at least two races. (US). The quantity of interracial couples has reached to 1.6 million, which represent very nearly 4 % of U.S. relationships. ( Fletcher, standard. 3 ). In a mixture nation like the United States, where migration and resettlement rates are high, between social marriage has gotten an unavoidable side-effect of versatility. Interracial marriage alludes to a marriage which comprises of couples with two diverse racial foundations. For instance, a Chinese ladies wedded to an American. While the intermarried couples need to adjust their racial contrasts, their social foundation would state a noteworthy effect on the advancement of their posterity. Likewise, society has additionally held various perspectives on them. Kids brought up in an interracial family are regularly accepted to experience issues like a sentiments of distance, a feeling of low-regard, loss of self-ch aracter, culture and custom, which may cause character issue and influence the child’s social practices. Be that as it may, there are likewise positive presumptions about biracial kids like better language capacity and higher flexibility to the general public. In my exploration paper, I will investigate how intermarriage impacts the improvement of a youngster and assess the focal points and detriments of a kid brought up in a family with various racial foundations. Personality is a central inquiry that encroaches in biracial children’s minds. Since a biracial youngster generally acquires a few characteristics from the maternal side and some from the fatherly side, a biracial kid is an amalgam of the two races. Along these lines, an apparently straightforward inquiry, â€Å"Who are you... ...nded Academic ASAP. Middlebury College Library, 1 Nov. 2004, Romano, Dugan. Intercultural Marriage : Promises and Pitfall. second ed. Yarmouth, ME : Intercultural Press,1997. Root, Maria P. P. Love's Revolution : Interracial Marriage. Philadelphia, PA: Temple UP, 2001 Rose, Caroline. â€Å"Potential Role Conflicts in Black-White Marriages.† Interracial marriage: Expectation and Realities. Ed. Stuart, Edwin. New York: Grossman Publishers, 1973. Rosenblatt, Terris Karis, and Richard Powell. Multiracial Couples : Black and White Voices. London, UK: Sage Publications, 1995. Sung, Betty Lee. Chinese American Intermarriage. New York: Center for Migration Studies, 1990. US, Bereau of the Census, â€Å"Source U.S. Enumeration Bureau: State and County QuickFacts. Information got from Population Estimates, 2000 Census of Population and Housing.†, 9 July 2004, 5 Nov.,2004,

The Lutheran Hymnal Essay -- Observation Essays, Descriptive Essays

There it is the blue book. It used to be red, yet in 1982 another book was made. The blue book has a cross with a hover behind it on its spine. Additionally on the spine are the words Lutheran Worship. At the base of the spine is the logo for the Concordia Publishing House. On the intro page is another cross with a hover behind it and the printed name David Edward Mahen. This is the advanced Lutheran Hymnal utilized by the Lutheran Church - Missouri Synod. This Lutheran Hymnal isn't only an image of Lutheranism however the moderate perspectives on the Lutheran Church †Missouri Synod. In the Lutheran Hymnal, are standards of Lutheran Theology as per the Missouri Synod. There are functions for Baptism, Confirmation just as Divine administrations. The Divine Service is from Lutheran custom and is a similar help that Lutherans practice today. There are likewise petitions, drones, hymns with music, and Luther's Small Catechism. There are songs which length the whole year including: Advent, Christmas, Epiphany, Lent, Passion Week, Easter, Ascension, and Pentecost. There are additionally psalms for different occasions of administration and year: Trinity, Morning, Evening, Beginning of Service, Close of Service, Holy Baptism, and The Lord's Supper. This was totally founded on the practices that Martin Luther made during the Reformation. Martin Luther, was â€Å"temperamental, bad tempered, egomaniacal, and argumentative† (Hooker, www.wsu.edu), however assumed a urgent job ever. During Luther's time as a priest, the Catholic Church was selling extravagances. Luther paid heed to the defilement and started to reason that men can just get their salvation through Jesus Christ, not the Pope or guilty pleasures, not to mention the Church itself. Luther started ... ...e image of the male custom as ministers and the image of ladies giving the Eucharist. It is the image of Lutheranism in a preservationist and liberal world. Book reference Hooker, Richard. Martin Luther 1996. September 25, 2004. http://www.wsu.edu:8080/~dee/REFORM/LUTHER.HTM> Bainton, Roland H. Here I Stand: An existence of Martin Luther. New York. Abington Printing Press. 1950 Damage F. R. Sola Fide, Solafidianism. September 27, 2004 < http://mb-soft.com/accept/txc/solafide.htm > Christian Classics Ethereal Library. Luther's Catechisms. A.D. 1529 01/04/2003 September 27, 2004 < http://www.ccel.org/ccel/schaff/creeds1.viii.iv.html > Various Authors. Meaning of Evangelical Lutheran Church in America. November 1, 2004 <http://www.wordiq.com/definition/Evangelical_Lutheran_Church_in_America>

7 Tips on Handling Computer Stress and Frustration

7 Tips on Handling Computer Stress and Frustration June 24, 2019 Avoid much of the stress of your computer, and you can lead a more peaceful life. Astronaut Images/Caiaimage/Getty Images More in Stress Management Job Stress Workplace Bullying Effects on Health Management Techniques Situational Stress Household Stress Relationship Stress As our lifestyles become increasingly dependent on technologyâ€"with the growing popularity of online banking, telecommuting, and personal websites, and everyone from the very young to the very old using social mediaâ€"it’s inevitable that things will go wrong. This fact is confirmed by research: according to one study with a representative sample of over 1000 Americans, 65% of consumers are spending more time with their personal computer than with their spouse, and the typical user has computer problems, on average, once every four months, and wastes around 12 hours each month trying to fix cyber mishaps. (The survey was commissioned by SupportSoft and conducted by Kelton Research, an industry research firm.) Whatever the cause of your computer stress, the following recommendations can help you minimize or avoid frustration: Be Prepared This is the Boy Scouts’ motto for a reason: it’s sage advice. When dealing with computers, many of us are a little intimidated, just wanting to learn the very basics and deal with the technical stuff as little as possible. While this is understandable, you can save yourself stress down the road by learning the nuts and bolts of how your systems work by reading the manuals and perhaps a book or two on computers. Another important part of being prepared is to have the right frame of mind: realize that there’s a lot of potential for error when working with computers, and expect a few bumps in the road. Perfectionists especially may beat themselves up over unexpected computer difficulties, but accepting that the road may inevitably have a few bumps (and knowing how to navigate those bumps) can keep your blood pressure down. Invest In The Best When you’re able to choose your equipment (i.e., it’s not software that your company chooses for you), it’s a good idea to invest in the best (not just the cheapest) software and hardware. Just like having a comfortable sleeping situation is important for the third of your life that you (should) spend in bed, newer and faster is better in terms of saving time and hassle, especially for those who use their computers often (which includes the majority of us). The money you may save by cutting corners isn’t worth it in the long run if you create a more frustrating daily situation for yourself with a slower and less reliable computer. Back up Often If you don’t already have this worked into your routine, it’s vital that you start backing up your files regularly (I recommend once a week), so that if you run into major difficulties, you don’t lose much of your precious work. Or better yet, set your computer up to backup automatically!  Its a one-time effort that will save you plenty of work in the future, and provide you with peace of mind. Get Easy Answers Much of the computer stress that results from dealing with technological problems stems from not understanding how to fix problems. Fortunately, you can get quick and easy advice online. Find a website that you trust, thats devoted to sharing reliable information on  PC Support and Macs, where you can find answers and support. Having information and support is part of being prepared. Get Reliable Help This is another part of your preparedness safety net. Sometimes it’s difficult to use tech support over the phone or online because you don’t know what you’re dealing with, don’t understand the terms used, or are basically stumped about the whole process. One resource I’ve found that can be really helpful in this situation is a site called support.com. They can access your computer remotely, saving you from having to take it anywhere, interpret the problem yourself, or bug your family or friends to help you fix your computerâ€"again! They’re relatively inexpensive and very user-friendly: you can get help immediately, free diagnosis, guaranteed work, and the people who help you are friendly and understanding (rather than condescending or difficult to communicate with). Keep It Comfy We often forget that being physically uncomfortable can add quite a bit to our stress levels. That’s why it’s important to keep ergonomics in mind when setting up your computer station, as well as other factors like background noise level, privacy, and even lighting.   Practice Stress Management Part of the intensity of computer stress involves the built-up strain of a tense body. If you can take a few minutes for some deep breathing or a short walk to get some fresh air, you will find yourself more relaxed and able to handle the potential frustration of the occasional inevitable computer mishap. Also, dont forget to maintain relationships and take time to connect with people in real life to avoid feeling isolated, which also adds to stress.

Petrarcas Italian Love Poetry to the Woman He Loved

The Philosopher King - 2423 Words

â€Å"If the choice is between a blind person and a sharp-sighted one, isn’t it clear which one we’ll need? (Plato 203). The image of the philosopher king was thoroughly described in Plato’s Republic, but the perfect ruler or philosopher king has transformed throughout history and are influenced by historical events. First, the description of a perfect ruler in an ideal society in Plato’s Republic will be the first comparison and the basis of a philosopher king. Second, Marcus Aurelius, who was described as the first philosopher king wrote Meditations and it expresses his own thoughts and beliefs which can ultimately reflect his actions. Lastly, Notker’s account of Charlemagne can be used to examine a king who may not always be recognized as a philosopher king, but Charlemagne is described as a great ruler who valued learning and philosophy. These three examples are from different time periods and so their perception and lifestyles are different in some aspects. Likewise, all three accounts are from different viewpoints because the Republic is not examining one specific person, but an ideal individual. Marcus Aurelius wrote about himself and his beliefs and values are examined to determine philosopher king characteristics. Lastly, Notker’s writing is a secondary source and Notker did not know Charlemagne personally. Therefore, Notker’s account is praising a king who he did not know, but Charlemagne is remembered as an ideal ruler and Notker lists Charlemagne’s accomplishments andShow MoreRelatedThe Dividing Lien of Platos Allegory of the Cave Essay2647 Words   |  11 Pagesforms begin. Plato states that this line divides the visual world we live in, the world of the shadows, and the intelligible world, the world of the forms. â€Å"Understand, then, that as we said, there are two things, one sovereign of the intelligible king and place, the other the visible.† (Plato) In the visible world the â⠂¬Å"good† is exemplified by the Sun. Without the sun shedding light to the objects around us, we would not be able to fully understand them; much like how the form of the good is neededRead MorePhilosopher King Essay640 Words   |  3 Pages1. Who is the Philosopher King - the ideal rulers, philosophers who become kings 2. Why is he the ideal ruler – Plato believes the PK is the ideal ruler because they will govern with virtue and justice with no hidden agenda, the PK loves learning, knowledge, truth 3. Why should he be compelled to rule – because a true philosopher will love the pursuit of truth, will be indifferent to the pleasures of the body, will not be interested in money, will not think human life is anything of great importanceRead MoreSocrates as Philosopher King Essay1709 Words   |  7 Pagesstories of great men.   Hundreds of politicians, philosophers, performers, and writers have left a unique stamp on humanity.   But only a select few can be said to have changed history.   The legendary Athenian, Socrates, was one such figure.   Socrates ushered in an era of philosophical inquiry that still lingers to this day.   In Book Seven of Platos The Republic, Socrates outlines his perfect regime.   According to Socrates, an enlightened Philosopher-King must rule such a regime.   Now suppose thisRead MorePlatos Ideas About Philosopher Kings Depicted in Republic Essay1698 Words   |  7 Pagesphilosophy would allow man to see what was good and just. Ther efore to cure the ills of society it would be necessary to either make kings philosophers or make philosophers kings. I intend to show how Plato justifies this view and then attempt to point out some possible problems with this justification and to forward my own view that the people should ultimately be king. Platos starting point was his recognition that justice was one of four cardinal virtues, along with wisdom, courage and moderationRead MorePlato’s View of Division of Labor in Plato’s Republic Essay994 Words   |  4 Pagesgreatest wisdom or knowledge of good. Due to that, Plato claims that â€Å"philosopher must become kings or those now who called kings must genuinely and adequately philosophise’’ (Nussbaum1998, p.18). However, people argue about the reasons that the philosopher should rule the city, while the philosophers prefer to gain knowledge instead of power, thus they don’t seek this authority. Therefore, the argument should alter to why the philosophers are the best ruler to govern people. Indeed, Plato states muchRead MoreA Critical Analysis Of Citizen Life In Platos The Republic1552 Words   |  7 PagesThis philosophical study will compare the two paradigmatic regimes of the aristocracy and tyranny and also provide a critical analys is of citizen life in Plato’s The Republic. The similarities between Socrates’ definition of the Philosopher King of the aristocracy and the tyrant are that a single ruler governs over the republic. In some ways, the empowerment of a single individual provides a catalyst for an aristocratic engagement of the nobleman to support this form of governance. In these seeminglyRead MoreThe Republic, By Plato1500 Words   |  6 Pagesby Socrates stand solid. Three main concepts will be delved into in a chronological order, those being philosophers and imitators, perceptive reality and absolute knowledge, with the analysis of the true meaning, and the implications raised by the statements, followed by noting possible flaws within the arguments. Such structure allows us to clearly comprehend the arguments for a philosopher king at its simplest form and ensures the possibility to note any incongruities within. It gives us the abilityRead MoreWhat Makes A Good Ruler?1506 Words   |  7 PagesTwo of my favorite philosophers, Plato and Machiavelli, although very different both attempt to give an answer of what makes a good ruler. Plato’s Philosopher King and Machiavelli’s Prince share their similarities and differences, but in the end Machiavelli paints a more realistic picture of a ruler which makes his prince more favorable. In order to understand why Machiavelli’s Prince may be more appealing than Plato’s Philosopher king, we must 1st come to understand what the King and the Prince lookRead MoreThe Republic By Plato Vs. Plato1299 Words   |  6 Pagesâ€Å"The philosopher, with his passion for wisdom, will be one who desires all wisdom† and† knowledge of the whole of truth and reality†, making him â€Å"fit to be in control of commonwealth† (Cornford 182,180,190). In essence, Plato advocates for the most intelligent, forward-thinking person to be in power because he is able to seek knowledge and truth, allowing him to objectively make the perfect decision for the commonwealth. Moreover, Plato justifies that an aristocracy where a philosopher king is theRead MoreThe Philosophy Of Socrates And Dr. Martin Luther King933 Words   |  4 Pagesemotional words that were spewed on paper by Dr. Martin Luther King while detained in Birmingham Jail. The philosophy of Socrates and Dr. Martin Luther King are grounded in peace. Both philosophers are faced with conflict from the laws put in place by the society that they are in. The purpose of this essay is to compare how each philosopher discusses the concept of law. The fictional tales of Socrates was inspiration to the belated Dr. King as he strived to challenge the status quo set for society. Throughout

Greek and Roman Architecture Free Essays

Running Head: Greek and Roman Architecture Greek and Roman Architecture By: Michelle Garrotters Art 101 November 2nd, 2008 Head: Greek and Roman Architecture Compare the characteristics and innovation of each Greek and Roman Architecture. The Greek and Roman architecture is very impressive for not only their time but also in our time today. The Greek architecture uses the columns in almost all of their temples. We will write a custom essay sample on Greek and Roman Architecture or any similar topic only for you Order Now The shapes of the columns were extremely important to the Greeks. They used three different types of columns. The â€Å"Doric†, â€Å"Ionic†, and the â€Å"Corinthian†. All of these columns have a center piece that would be for displaying their Greek God(s) with what ever decorations. The Temple of Olympian Zeus is an example of â€Å"Corinthian† columns. The Temple of Poseidon is an example of â€Å"Doric† columns, and Athens is an example of â€Å"Ionic† columns. The Greeks usually built with either mud, wood, plaster, and/or stone. Most of their buildings have not stood the test of time. Only temples made with marble or limestone these were built as objects of art honoring their different gods. These have been able to withstand the damage that time brings. The Roman architecture used mostly arches in their works. Which held more weight than the columns. Yes they used columns but only as decoration because of the weight. The Pantheon in Rome is a great example of this architecture. This building housed two kings and is one of the biggest surviving building in Rome. Romans used the same materials as the Greeks especially the Marble and Limestone. But they perfected the use of concrete, which is what most of their structures are made with. Most of the Romans buildings that are still preserved today are amphitheaters, bathhouses, aqueducts, and public housing. Unlike the Greeks the Romans did their buildings with lots of ornate on both inside and outside reflecting the â€Å"Pursuit of Pleasure† which is an essential part of the Roman culture. In summary, Greek architecture is more rectilinear and of â€Å"post and lintel† construction. Greek buildings usually rectilinear, consisted off pediment supported by columns on a plinth for a base. Romans mastered the arch and the dome. Concrete made it possible to have more complex forms. Columns were used in both with the Greek favoring the Doric and Ionic for the cleaner lines. While the Romans preferred to use the more ornate Corinthian style columns. How to cite Greek and Roman Architecture, Papers

Schuberts Lieder free essay sample

Among the many lieder composed in the 19th century, Schubert’s â€Å"Death and the Maiden† was composed in February 1817 identifying two characters; Death and the Maiden, exemplifying a different concept on the musical theme of seductive death. Set to text of lyricist Matthias Claudius who did not merely profess simplicity like the other poets, Schubert introduces a different perspective to the use of music in the 19th century. Death and the Maiden can be clearly split into three sections with distinct feelings. Firstly, a slow funereal introduction with the use of dense chords played in the bass register to illicit a mood of sorrow in the key of D minor played by the piano features dactylic rhythm (long note played followed by two short notes – minim and two crotchets in song), which is often associated to funerals or a person’s impending death. D minor which â€Å"sounds melancholy, gently sorrowing† (Steblin, 2002) was Schubert’s key-symbol of death. We will write a custom essay sample on Schuberts Lieder or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Though there are no words by Death in the introduction, it can be seen as a shadow of death appearing into the picture. Next, the fearful Maiden sings in a fast paced agitated tone, trying to fight, resist and plead against death to â€Å"pass her by†. The melodic line seems to go up the D minor scale from A to E-flat, along with the quickened piano accompaniment which builds up the frightened atmosphere as well. This increase in pace allows us to sense the panic that the Maiden was feeling as Death approaches her. Towards the end of this section, the mood changes slightly with the use of dactylic rhythm which will be discussed in the essay. Lastly, Death comes in a soothing and calm tone reassuring the Maiden that he is a â€Å"friend†, as if persuading and convincing the maiden that death is the best solution to her life. (Branscombe, 1982) The song ends in a recapitulation of the introduction but in the parallel D major key. This gives a different perspective and contrasted to death which people of that age thought it would be. Death is usually portrayed as a scary image (memento mori – often represented as a human skeleton), something to be fearful of. Memento mori reminded one of the late Middle Ages to remember thy death. However Schubert uses the ombra style on his treatment on the theme of death which was at that time a favourite subject of classical and romantic poetry which exhibits characteristics associated with death. Operas which had such styles were popular at that time. Death is shown as a comforter, a symbol of sleep which was sharp contrast from the medieval image of death, introduced in the enlightened age. This was used by many composers and poets as it was explored deeply as people were curious in wanting to understand death, what lies beyond this life on earth and religious faiths have stepped in and tried to reason to the people what the bible said about death. The harmonic contour of Schubert’s lieds breaks away from the â€Å"straight-forward† classical style of dominant and tonic, resolution and circle of fifths on its musical structure, stepping beyond Classical boundaries. Contrasting harmonies, rhythmic patterns and dynamics sang by Death and the Maiden can be distinctively recognised, thus allowing us to identify the differences between the two dialogues. One of which is the use of dactylic rhythm which Schubert frequently uses in his compositions. The dactylic rhythmic pattern used in this lied only appears in the parts where death speaks. It becomes a familiar rhythm that repeats in the second portion of the lied. As seen in this lied, it is through the use of this rhythm (long-short-short) that allows us to identify the â€Å"sound of death† though without words or intonation of the voice that would explain the reason behind the work. On the other hand, the melody of the maiden comes in at bar 9 on an anacrusis with the piano accompaniment playing syncopated chords of quavers alternating in the left and right hand. The rhythm is played â€Å"somewhat quicker† as indicated in the score, with the increase in dynamics. This allows the listener to sense the Maiden’s panic as Death approaches her. Eventually the dynamics decreases, and the rhythm slows down a little at the last line of this stanza, which is repeated twice as the notes descend sequentially. The re-emergence of the tempo, dynamics and dactylic rhythm which was used in the introduction seems to overlap the previous section, providing a smooth transition to the next section where Death speaks. The melody of Death is almost one note, D somehow relating back to the D pedal played in the introduction. Through this song, the keys moves from D-minor, to G-minor to A-major, starting again on D-minor where Death speaks, modulating to its relative major F-major, then to D-major. What is interesting is that at the last syllable of Death’s song, the key changes into D major. This various modulations through major and minor tonalities in a song of 43 bars seem to be apparent in Schubert’s works. Another interesting point is that the coda is almost a repeat of the introduction, except it is shortened by one bar and is now in D major which is related to s â€Å"the key of triumph, of Hallelujahs, of war-cries and victory-rejoicing. † (Steblin, 2002) This leads one who is listening to this song, to imagine and construct the thought of the Maiden succumbing into Death’s temptations and being in the arms of Death in the end, without using words. In terms of phrase structure of sections, the Maiden’s section (Section A) is asymmetrical and has irregular phrasi ng made up of (7+5 bars). Death’s section (Section B) is symmetrical with two eight-bar periods each having an antecedent and consequent phrase structure. Instead of the usual use of root position chords that are commonly used before the 19th century, there was a daring use of diminished chords(bar 13) which provides an eerie mood, chords with first or second inversion(bars 10,11) with minimal use of chords in the root position. As mentioned above, Schubert’s lied; specifically on â€Å"Death and the Maiden† serves as an example that allows us to identify various stylistic elements which contribute to 19th century music. The stylistic element of Schuberts method is his freedom of use with traditional musical forms and procedures. Schubert went further than previous composers in giving his imagination free rein, though still following the â€Å"rules† of music, but he makes it flexible to mould the possibilities of the words in ways that sometimes take the listeners far from their original structure as poems. Poets such as Goethe who is known as the â€Å"father of literature† favored simple accompaniments to complement his poems, wanting song writers who used his poems to follow simplicity and not cover up the meaning of the words. Thus not allowing his poems to â€Å"borrow† fame from the lied of Schubert as many of their poems were made famous after the addition of Schubert’s music rendition. The use of dactylic rhythm as a representation of death explores the idea of a composer producing certain tunes to express what is to be revealed to the listener. Being expressive in terms of dynamics using a great range of mood and complexity and his daring use of modulations which move out of the classical realm of being fixed with harmonic progressions or phrase structures, play a part in contributing to 19th century stylistic elements. In the second part of the essay, the role of instrumental music during the first half of the 19th century would be discussed. Using Schubert’s work as an example, the strengths and weaknesses of identifying a composer’s works as considerations of ‘text and music’ as compared to other works would also be discussed. As mentioned earlier, people of the 18th century sought to discover and find out answers about life and death, leading to the enlightenment age. But by the end of 18th century, many rejected the idea of having to find out and reason the question about life, and turned towards expressing their emotions and feelings. This brought about a new kind of inspiration just like how Schubert wanted to express his love for poetry and the literature of his day which through his lied could bring to life and enhance the power of the words, leading to Romanticism. Composers seek to place new emphasis on expressing their emotions and thoughts through their freedom of melodic and structural use providing a great range of mood and complexity. They were more daring in modulations, exploring the possibilities of chromatic and enharmonic modulations and to be able to modulate to any key. Dissonant and unstable chords were used more freely than in earlier periods, to create a mood or atmosphere that the composer wanted to bring across. In the 19th century the world was faced with a wave of industrial revolution, with events such as French Revolution and Napoleonic Wars that affected music as well. The growing knowledge of science, major technological inventions such as that of the steam engine, gave man a growing ability to control the world. In earlier ages, composers’ works were appreciated and watched by small groups of aristocrats and royalties, who had knowledge about music and could afford to set up such performances, as a form of private entertainment. However with revolution, the audience moved to a diverse middle-class crowd and composers now had to write music for a large audience, changing the role of instrumental music in order to get their source of income. It can be said that romanticism can be classed into two categories: lyrical and dramatic. The emergence of lied- art song due to the flowering of German literature inspired poets and composers to find a balance between words and music through the use of piano accompaniment for the voice. As mentioned earlier in the example of Goethe’s poem and Schubert’s lied, lyricists wanted to achieve the goal which was to get a fusion of words and music, but music to take precedence and not overload the poem with too much elaboration. Through the development of the various instruments such as the piano with an increase range and chromatic abilities and different tone qualities and textures allowed for exploration of technological advances to be used in music. Given the fact that composers were no longer restricted by the limitations of voice ranges, music was used as an integrative partner to the voice. Music had to be identified as a language, in fact, the first of mankind (Rosen, 1996). Instrumental music with no words could engage listeners and allow them to explore their imagination regarding the music that has been played. Using this advantage, composers were allowed to come up with more melodious, complicated melody lines to trigger human emotions along with the text of the lied. Therefore, it cannot be said that both text and music are in an independent world of its own. However, it is the emotions and images in text which shares its interpretation task with the accompanying melodies that are perfectly moulded into the text, complementing the piano commentary giving it an added dimension to the lied. In areas where linguistics lacks, there will music be filling the gaps and vice versa. This synthesis of linguistics and music can be seen in lieder, where both are interdependent on each other, as opposed to late 18th century where the singer executed the melodic line of the piano. This can be done through intermittent predominance between the voice and piano, which Schumann uses, in an attempt to express one language serving the other. Schubert composed songs which ranged from simple (like those composed by other composers) to highly dramatic and emotionally intense works which are often very challenging to sing and to play.